Matteo Garrone’s Gomorrah is a stark, shocking vision of contemporary gangsterdom, and one of cinema’s most authentic depictions of organized crime. In this tour de force adaptation of undercover Italian reporter Roberto Saviano’s best-selling exposé of Naples’ Mafia underworld (known as the Camorra), Garrone links five disparate tales in which men and children are caught up in a corrupt system that extends from the housing projects to the world of haute couture. Filmed with an exquisite detachment interrupted by bursts of violence, Gomorrah is a shattering, socially engaged true-crime story from a major new voice in Italian cinema.
The film opens with the murder of gangsters relaxing in a tanning salon. This shooting occurs between clans of the Di Lauro Camorra syndicate which rule Scampia–Secondigliano, and triggers the so-called Faida di Scampia (Scampia feud) which is the backdrop of the entire movie. The Faida erupts between members of the Di Lauro syndicate and the so-called scissionisti (separatists), who are led by Raffaele Amato, brother of two of the killed men in the opening scene.
The film intertwines five separate stories of people whose lives are touched by organized crime.
Marco and Ciro aka Sweet Pea